![]() ![]() ![]() There couldn’t have been an actual human that Prime is modeled on (be pretty scary if there was). Ultimately, this was the part of the offer that I felt I couldn’t turn down. Of course, I was busy with Batman at the time they approached me, but what cinched the deal for me were three things:ġ) I’d been on Batman for a long time and I was willing to try something new.Ģ) Malibu offered me a substantial signing fee just for coming on board.ģ) Malibu also promised to publish my creator-owned, -written, and -drawn title, whatever it might turn out to be (I hadn’t even a title in mind at that point, but I eventually settled on Metaphysique, which was published under Malibu’s Bravura umbrella). It was most certainly my high recognition factor after drawing Batman for about 6 years which made Malibu Comics want me as their big name artist on what ended up becoming, more or less, their flagship title. The truest answer for that is that I drew Batman first (lol). How did you land the job as the artist on Prime? You can keep up with him and check out his art on his web site. ![]() He’s also pretty well known for his work with Batman. ![]() I don’t think there were any better comics being done at that time. Norm Breyfogle’s art was a huge part of what made those books great, with dynamic action and interesting layouts. If you want a good place to start reading the Ultraverse, there’s no better jumping-on point than the first year of Prime. ![]()
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